Journal of the New Alchemists

...) covers mostly their agricultural experiments, but occasionally dips into urban planning and other subjects. Biodome. Image: Journal of the New Alchemy. It’s interesting to look back at their work to see what ideas went mainstream and what faded away. What didn’t stick is what Nassim Taleb would call “top-down” approaches to design epitomized by the 70s fixation on geodesic domes and self contained ecosystems (though we’re starting to see a resur...

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Root Simple’s New CritterCam

...a for the application I intend. Thanks Max!] My plan is to use it for some urban, backyard citizen science. Specifically I want to figure out a few things: What mammals are visiting the backyard? What paths do they take through the yard? What kinds of birds are visiting the bird bath? Have my skunk proofing efforts worked? What’s the most active time in the night for mammalian activity? How many cats are visiting and what time do they come through...

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Epic Rants and Raves

...early 20th century literature. As I’ve mentioned before, I’ve been slowly making my way through all of Gustav Stickley’s Craftsman Magazine (I’m reading the 1905 issues this week) as well as Moby Dick (never read it in school), May Morris’ Decorative Needlework and the writings of John Ruskin and William Morris. From these tomes I’ve bookmarked a few epic rants that I suspect Root Simple readers will appreciate. First, as quoted in The Craftsman,...

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Saturday Tweets: Watermelons, Drill Bit Storage and Unicorns

...ticating #watermelon from feral bitter wild cousins; Greeks & Italians for making sweet! https://t.co/VUIDJWRMQx pic.twitter.com/uxGB57Z9P5 — C. S. Prakash (@AgBioWorld) July 7, 2017 So you have a construction or repair job coming up. Which should you use, screws or nails? The short answer is… https://t.co/VyOFohr5CS — Hobby Farms (@hobbyfarms) July 7, 2017 How tech giants like Elon Musk can actually fix LA’s transportation problems https://t.co/W...

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Read Bungalow Magazine and The Craftsman Online

...and less Apollonian than The Craftsman. What both publications have in common is an expectation that the reader is not just a consumer but potentially someone capable of taking up a chisel or sewing needle and making something. This DIY ethos was, of course, part of the anti-industrial agenda of the Arts and Crafts movement. One can hope that this spirit will catch on again in our disposable age. Save...

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