Saturday Tweets: Don’t Fear the Green Reaper

...the light relentlessly pierced through even the tiny slits in the shades, making it difficult to fall asleep. Thanks goodness I moved from that area. pic.twitter.com/ECmbRPxz4h — Robert Kwolek (@RobertKwolek) January 31, 2019 “The internet’s emphasis on metrics and quantity over depth and quality has engendered a society that values celebrity, sensationalism, and numeric measures of success.” – #TeamHuman, #39 Get the manifestohttps://t.co/QCJ0Ng...

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When it’s time to remove a tree

...le. The garden feels more lively or, conversely, more peaceful. It’s as if energy which was blocked by that ailing or misplaced plant is now flowing again. It’s an almost physical sensation–like a fresh breeze blowing through your yard. But when a plant, especially a tree, is removed in a thoughtless or untimely way, though, it feels like a wound. The empty space looks haunted. The wrongness is deep, and it takes a long time to fade. There are pla...

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William Morris is the Marie Kondo We Need

...serable trumpery, from the engineers who have had to make the machines for making them, down to the hapless clerks who sit daylong year after year in the horrible dens wherein the wholesale exchange of them is transacted, and the shopmen who, not daring to call their souls their own, retail them amidst numberless insults which they must not resent, to the idle public which doesn’t want them, but buys them to be bored by them and sick to death of t...

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Making Mistakes and an Update

A big thanks to Erik Volkman who let me know that I had accidentally re-released episode 127 of the podcast (an interview with Fr. Mark Kowalewski on apocalyptic thinking) instead of episode 128 (an interview with James Heard and Ashton Hamm of UXO Architects). I’ve fixed the problem but due to the kludgy way that podcasts propagate your podcast app may still play the audio from episode 127 instead of the interview with the architects. You can he...

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I Spent a Year Making a Bed

How’s that for a click bait title? But I really did spend almost a year on this with most of that time eaten up teaching myself how to do marquetry and inlay work. As I mentioned before, my first attempts didn’t go well and I spent a lot of time searching for advice on how to do this particular style of Art Nouveau work that almost nobody does anymore. Sanding and finishing metal and wood right next to each other also proved difficult and I’m not...

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